The curator is indebted to and has quoted from the following scholarly sources: Buchhart, Dieter, et. al., Edvard Munch: Signs of Modern Art, (exhibition catalogue), Fondation Beyeler, Basel, 2007; Chang, Alison W., Negotiating Modernity: Edvard Munch’s Late Figural Work, 1900-1925, unpublished Ph.D. dissertation, The University of Pennsylvania, 2010; Eggum, Arne, Munch and Photography. New Haven: Yale University Press, 1987; Frizot, Michel, “L’âme, au fond: L’activité photographique de Munch et Stringberg,” in Lumière du monde, Lumière du ciel, Visions du Nord, (exhibition catalogue), Musee d'Art moderne de la Ville de Paris, 1998; Holt, Cecilia Tyri, Edvard Munch Fotografier, Forlaget Press, 2013; Kermabon, Jacques, et. al., Pathé: Premier empire du cinéma (exhibition catalogue), Centre Georges Pompidou, Paris, 1994; Lampe, Angela and Clément Chéroux, et. al., Edvard Munch: The Modern Eye, (exhibition catalogue), Tate, London, 2007; Woll, Gerd, Edvard Munch: Complete Graphic Works, Oslo: Orfeus Publishing AS, 2012.
Image credits:
David, Jacques Louis (1748-1825): Marat assassiné, 1793. Brussels, Musees Royaux des Beaux-Arts. Oil on canvas, 65 x 50 1/2' (165 x 128.3 cm) © 2020. Photo Scala, Florence; Edvard Munch, Starry Night: 1893, oil on canvas, 35.9 × 140.3 cm (53 1/2 × 55 1/4 in.), J. Paul Getty Museum, Digital image courtesy of the Getty's Open Content Program; Edvard Munch: Aften på Karl Johan, 1890, oil on canvas, 84,5 × 121 cm, KODE, Rasmus Meyers samlinger. Foto: KODE/Dag Fosse; Edvard Munch: Det syke barn, 1885-1886, oil on canvas, 120 x 118,5 cm, Nasjonalmuseet for kunst, arkitektur og design, Billedkunstsamlingene Foto: Nasjonalmuseet/Børre Høstland; Edvard Munch: Hus i måneskinn, 1893-95,oil on canvas, 70 × 95,8 cm, 100 × 110 cm, KODE, Rasmus Meyers samlinger. Foto: KODE/Dag Fosse; Edvard Munch: Melankoli, probably 1892, oil on canvas, 64 x 96 cm, Nasjonalmuseet for kunst, arkitektur og design, Billedkunstsamlingene, Foto: Nasjonalmuseet/Børre Høstland; Edvard Munch: Måneskinn, 1893, oil on canvas, 140,5 x 137 cm, Nasjonalmuseet for kunst, arkitektur og design, Billedkunstsamlingene, Foto: Nasjonalmuseet/Børre Høstland; Edvard Munch: Natt i Saint-Cloud, 1890, oil on canvas, 64,5 x 54 cm, Nasjonalmuseet for kunst, arkitektur og design, Billedkunstsamlingene, Foto: Nasjonalmuseet/Børre Høstland; Edvard Munch: Selvportrett fra klinikken, 1909, oil on canvas, KODE, Rasmus Meyers samlinger. Foto: KODE/Dag Fosse; J.L. Nerlien, 1896, katalog, Munchs Hus (Åsgårdstrand). Foto: Wolday, Mekonnen/Munchs Hus; Steichen, Edward (1879-1973): Moonrise - Mamaroneck, New York (1904). New York, Museum of Modern Art (MoMA). Platinum, cyanotype, and ferroprussiate print, 15 1/4 x 19' (38.7 x 48.2 cm). Gift of the photographer. Acc. no.: 364.1964.© 2020. Digital image, The Museum of Modern Art, New York/Scala, Florence; Unknown photographer: Untitled, 1918. Gelatin silver print, 3 7/8 × 2 5/16" (9.9 × 5.9 cm). Gift of Jeffrey Fraenkel. Acc. no.: 670.2007. New York, Museum of Modern Art (MoMA). © 2020. Digital image, The Museum of Modern Art, New York/Scala, Florence; Vobecky, Frantisek (1902-1991): Untitled (Self-Portrait), 1935. Gelatin silver print, 9 5/16 × 6 3/4" (23.6 × 17.2 cm). Thomas Walther Collection. Gift of Thomas Walther. Acc. no.: 1896.2001. New York, Museum of Modern Art (MoMA). © 2020. Digital image, The Museum of Modern Art, New York/Scala, Florence.
Edvard Munch's Housekeeper, Ekely
1932. Silver Gelatin
In the years 1927–1932, during Munch’s second period of photographic activity, the artist almost exclusively took photographs of himself and his work. This is a rare exception. Munch’s housekeeper is posing in a doorway and is doubled as a reflection on the shiny table on which the artist placed the camera. In fact, the woman is tripled, as a light, located behind her, throws her shadow onto the door to her left. The shadowing and expressive use of the foreground seem to have been strategic – an electrical plug and cord, snaking around the door jamb, appear to lead to a light source behind the model.